Best Tarantula By Bob Dylan

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Tarantula-Bob Dylan

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Ebook About
WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction—a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time.Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and offers unique insight into Dylan's creative evolution, capturing the stream-of-consciousness preoccupations of the legendary folk poet and his eclectic, erudite cool at a crucial juncture in his artistic development. It has since been welcomed into the Dylan canon, as Dylan himself has cemented his place in the cultural imagination, inspiring Todd Haynes’s acclaimed 2007 musical drama I’m Not There, selling more than 100 million records, and winning numerous prizes, including the Nobel Prize for Literature in 2017. In his acceptance speech for the Nobel, Dylan acknowledged the early influence on his work of Buddy Holly and Lead Belly as well as of wide-ranging classics like Don Quixote, All Quiet on the Western Front, and Moby Dick. Tarantula is a rare chance to see Dylan at a moment in which he was still deeply connected to his country roots and a folk vernacular while opening himself up to the influence of French 19th-century Surrealist writers like Arthur Rimbaud and the Comte de Lautreamont. A decade before the confessional singer-songwriter who would create the 1975 epic, Blood on the Tracks—which was just optioned by filmmaker Luca Guadagnino—here is Dylan at his most verbally playful and radically inventive. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music—a spirit of protest, a poetic spontaneity, and a chronicling of the eccentric and the everyday—which continue to make him a beloved artist and cultural icon.

Book Tarantula Review :



Full Disclosure: I am a punk rocker. I am not of Dylan's generation, I'm a little young for Black Sabbath/Led Zeppelin, but the Clash and the Pistols came along as I was young and impressionable. The most I know about Dylan then was that he was that guy that did that godawful song that came on Sunday mornings, where all the instruments are vaguely out of synch with one another and that's not what I called singing (granted I preferred Sid Vicious to Sinatra). It took years of reading interviews with everyone from the Pyschedelic Furs, The Clash, Ian Hunter, and even Rollins to figure out I should give the guy a chance. Anyway, cut to now and this book: in 1966 Dylan was the nexus: he was the embodiment of the culture's (and the counter-culture's) past, present and future. When I read this I can hear the Beat Trinity of Burroughs-Ginsberg-Keruoac, I have hear the bebop that influenced them, if I knew more about folk than Phil Ochs, Pete Seger, and Woody Guthrie I'd probably hear them too. Its not a far stretch to keep an ear out for Robert Johnson and Muddy Waters. Both Joe Strummer and Sad Barrett were influenced by Dylan, and each took a different path. This book is of its time, but even as a time-piece it stands out. Absolutely brilliant. You won't be disappointed.
If you need to read a review of this before you buy it , you must have no idea about Bob Dylan and this particular book. Investigate thoroughly before you commit. All Dylan fans will want to have it , whether they read it or not is up to them. I tried and couldn't really do it - but I had to "own" it.

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